The first print of the Chernobyl suite shows the ferris
wheel of Pripyat, which has become a sort of icon for incident’s impacts. The
town of Pripyat had been founded in 1970 as nuclear city for the Chernobyl
plant. Two days after the explosion
53,000 people already contaminated were evacuated with the information
of a possible return after some days. This ghost town now has become a famous
place to visit, and numerous fotos and protocols are available (pripyat.com).
The wheel has been said to never have been in operation and for me has always
been associated with the site.
(found at fuckyeahabandonedthemeparks.tumblr.com-pripyat6).
I found the rusty steel with the yellow nacelles
fascinating in view of the radiation symbol.
The linoprint approach with reference to the reductive
approach offers some interesting aspects. The iron construction details go beyond the
resolution of the printing approach, see here a detail of a polycount
construction by aranis and the drawing on the linoplate.
So cutting lines is a simpler path compared to leaving ridges.
This resembles Picasso’s white on black prints end oft he 50s:
Cutting is done as drawing, but in the relief technique
like wood or linocut the traditional drawing dark on light background needs
printing light on dark. This seems an
enormous waste of printing colour but offers unique results, left alone
printing noncovering white on black
It also permits the later introduction of background as a
final step
So rust-like brown printed on yellow may resemble ferric
oxide breaking through the yellow paint.
At the same time a yellow background only incompletely
covered by the follow-up print resembles radiating fallout particles. Likewise
rust particles blown away also resemble loose fallout.
A first set of prints used a blue background. The yellow
colour together with blue resembles the ukrainian flag. At the time of the
incident the plant was integrated in the soviet union, with white-blue-red as
russian colours. The red is often dark or disappears giving rise to brown rust.
The block lettering PRIPYAT is a prominent construction in the city, it has
thus been added in russian colours.
The blue top plate is added in various tones, depending
on the intensities of the brown backgrounds.
As in the Fukushima series the top MAGIC PLACES uses
ffMark,a geometric type.
The first idea of showing the wheel integrated in the
Pripyat surrounding has been abandoned, as the symbolic wheel is not fixed but
free to be anywhere.
This has been an idea of Brian Duggan constructing a
highly detailed model (first shown in Dublin 2011, http://www.brianduggan.net/bd/home.html):
The free flying wheel not operating as meant to do with its
radiation symbols may thus represent the state of atomic energy production with
its unsolved problems for present and future generations, as one single project:
the Chernobyl sarcophagus (shelter project).
Printing of the first set starts with a yellow square,
and the first plate is added in brown
In a second printing this plate is set directly in black
on white paper
Followed by a white plate, and yellow colouring
In a third approach the final plate is inked in sky and
earth tones, the bottom lettering in red
This printing type gives a feeling of the wheel in space.
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